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| Photo:
Joey Brehm. Art Direction: Jeff Ulmer |
The
forest for the trees
The
story behind the interior gatefold shot
"A
deathly calm hung over the valley, as I landed between the trees...
(from "The Alien" ©1983 Barrier Plainz Publishing)
from
the journals of Jeff Ulmer:
As
the planning for the debut album progressed, I decided that
there was going to be an interior shot of the band just after landing
their interstellar craft, The Orclarze. A suitable location
needed to be found, which I had in mind as a part of the University
of British Columbia Endowment Lands, in an area known as Cathedral
Forest (which would become the title of an instrumental on the
second album). I knew this area well, as I regularly cycled through
the forests in my spare time.
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| Early
test shot with cropping and typsetting guidelines. Jeff's girlfriend
stands in while he composes the shot. |
After
several test shots with the band in place to set the shot up and check
the composition for the placement of lyrics, it was time to prepare
for the final shot.
The
next part involved getting The Orclarze to the location. Since the
real vehicle wasn't currently accessable, we built a scale version
of the ship for the shot (which the band also used as a drum riser
in its headlining shows), a 16 foot high, 10 foot wide two by four
and plywood construction weighing about 900 lbs. The problem involved
getting this structure the mile and a half into the forest to the
shot location, along with the various pieces of equipment and artifacts
that also had to appear in the shot.
hi
ho, hi ho, off to the woods we go...
After renting an electrical generator, a fog machine and
loading a truck with all the pieces of the ship and various other
equipment, the band and several of its crew drove to the load-in
site on the outskirts of the forest. After four hours of carrying
everything down the narrow forest trail leading to the location,
and another two hours setting up the shot (including the erection
of the Orclarze), a few rolls of film were shot. By this time the
light conditions were failing, so it was decided that the band would
camp overnight with the gear and shooting would resume the following
morning. Various people left the site to get the tent, sleeping
bags, food and other accessories for the overnight stay. Drummer
Paul Davis and I decided we would guard everything overnight as
the forest festivities (actually an impromptu party as we were joined
by several crew members) closed late in the evening.
The
following morning we were awakened by a forest ranger, who was investigating
reports of something queer going on in the woods. He advised us
to remove all the gear immediately, as we didn't have a permit for
the shoot. After some negotiation, he agreed to let us get the gear
out by the end of the day.
Paul
left for a few errands as I began to rebuild the shot, which had
been partially broken down the night before. As I was peering through
the camera lens a member of our finest RCMP (Royal Canadian Mounted
Police) approached, saying he had gotten a report of someone setting
up a tee pee in the forest. I told him what we were doing, and relayed
the permission of the forest ranger to have us shoot that afternoon.
At the time I didn't realize how strange it must have looked to
him for this lone guy to be setting up all this stuff in the middle
of the forest; he must have thought I was nuts!
A few
hours later the rest of the band and crew returned and we spent
a few hours shooting many more rolls of film. We broke everything
down, and packed it back to our truck. A few hours later we had
everything back at our rehearsal space. We took the film in for
developing the next day and anxiously waited for the shots to come
back.
not
out of the woods yet...
Two days later I picked up fourteen developed rolls of film. Every
shot was black! The battery in the camera must have died while we
were setting up. There were no photos.
The
following weekend, permit in hand, we again trekked into the forest
with our parade of helpers. The shot was once again set up (this
time we checked the battery!) A few hours later (with return visits
from the RCMP and several bewildered horse back riders), we packed
everything out again, and fortunately this time we got the shot
that appears on the debut album. If at first you don't succeed,
try, try again!
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